“A Couple of Good Copy-Editors [sic]”
(or, Beady Yes’m)
“A Couple of Good Copy-Editors [sic]” explores a young woman copy editor’s concern and fascination when she and her male copy editor coworker sneak late at night into their office, the publisher of “Ending Violence Everywhere”, or “E.V.E.,” newsletter–to discover their pair of editors passed out in full bondage gear in the copy room. Over their leather-clad bodies, she espouses her morals, questions them, and argues with her fellow lowly copy editor colleague, with whom of course she “vascillitates” in and out of a solely work-centered relationship. The show culminates in, well, I won’t spoil it, but she and he experience multiple feminist political repugnancies and simultaneous liberation, plus, everyone’s a little queer for toner, right? She essentially embodies the sex culture wars, from Dworkin and MacKinnon to Camille Paglia and Pat Califia, though the latter are perhaps more attributable to the mise-en-scene of the freeze-frame editors-in-chief in leather.
The play is currently under revisions from its college production at the University of New Mexico in the Robert M. Hartung Words Afire New Plays Festival.